Furniture is a must-have item for home, both practical and aesthetic. Antique mahogany furniture has become more and more popular in Foshan in the past two years. Whether it is a new home decoration or the replacement of original furniture, many Foshan people have chosen to buy mahogany furniture. Because mahogany furniture is both practical and can be used as crafts, some people think that the mahogany furniture in the home can reflect the master's cultural quality invisibly, and some people even regard a piece of mahogany art in the house as a pity.ç€šæ™Ÿå ‚çº¢æœ¨å®¶å…· http://hst.cnjiaju.com/share
Mahogany furniture: "humanity", "art" and "environmental protection"
Chinese people's aesthetics of furniture is from the inside to the outside, from the inside and the table, attaches great importance to cultural connotations. The mahogany furniture is simple and dignified, the appearance is simple and symmetrical, the natural wood color texture is pleasant, coupled with the exquisite carving and setting process, so the antique mahogany furniture is known as “human furniture†and “art furnitureâ€.
People love mahogany furniture may have more and more attention to environmental factors. Redwood is a non-toxic and harmless green material. Its excellent natural wood pattern and pleasing color, tactile comfort and excellent size after long-term inspection and screening make it very stable. The mahogany furniture art style is smooth and simple, the structure is rigorous and symmetrical, and the engraving and inlaying are all reasons for attracting people.
Yu Tiancheng's palace chair
The ring chair is the most tasteful seat in the Ming style furniture. It is simple and elegant, and it is casual and elegant. The palace chair is a kind of waisted and multi-carved lapped chair with a draped chair on the basis of the ring chair.
The chair and chair ring are connected in three lines and the lines are smooth. The backrest frame is made up, the upper part is light-transparent and the grass is printed, the middle wood is the light, and the lower part is the cloud. The backboard and the chair ring intersect with the seat surface, with four hollow corner teeth, the armrests and the upper part of the four-footed horseshoe, using the wood to be removed, and the grass is rolled. There is a mud under the four feet, and the vulture is carved under the mud.
The generation of circle chairs, Hao Tiancheng, will bring out the advantages of Ming and Qing in this chair to the fullest, to meet the requirements of the Ming and Qing furniture lovers for the simplicity and smoothness of Ming style furniture and the gorgeous apparatus of Qing Dynasty furniture, so it is widely affected by mahogany Lovers' love. Because it is specially made for the court, it is called “Palace Chairâ€. Many mahogany furniture manufacturers use this chair to show their exquisite craftsmanship and engraving level.
The shape of the palace chair is in harmony with the modern home environment. It is usually used in the halls and study rooms, most of which are placed in pairs, and their taste is fascinating.
With the popularity of ancient furniture collections in recent years, the treasures exist in a world of less than 10,000 pieces and the price is quite high, which is difficult to meet the needs of many Ming and Qing furniture collectors, thus greatly promoting the collection value of high imitation furniture. A high-imitation furniture with both form and spirit, rigorous structure and outstanding craftsmanship also has great investment space.
Buy a palace chair to see, touch, and product
Due to the popularity of the palace chairs, the public should pay special attention to the selection when purchasing. Pay attention to the following points when purchasing:
First, smoothness includes two aspects: looking at the smooth, touching and smooth. Learn by feeling, understand its curvature, curvature, and the location and area of ​​the carving.
The second is that the stickers are mainly for carving. The flowers should be attached to the handrails and naturally transitioned. They should not be too deep or too shallow. Too deep to touch the feeling is not good, too shallow, the three-dimensional feeling is not strong.
Third, the connection is continuous, the pattern can not be broken, can not be independent, the texture should be related, seamless. If the upper and lower patterns are flattened, it should be a complete pattern.
Fourth, there is a hollow between the upper and lower patterns.
The fifth is the wrong position. On the top, bottom and side, the pattern of the three sides is close and not exactly the same. The holes are staggered from each other, not from the top.
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