Trapping is a very tedious task. It is only used to correct misalignment between solid colors in CMYK images. Frequently, for a continuous tone image such as a photo, traps should not be created, and using traps can harm the image quality. It is also unnecessary to excessively trap the color patches, which will produce key lines (even crosshairs) in the CMYK plate. These problems are not visible in the composite channel and are revealed when the film is output. Visible, trapping does not make the image more exquisite, it can not be used to solve the printing problem of mechanical problems, it can only cover up the flaws caused by overprinting.
The main method of trapping is to expand the color patch area slightly so that there are some overlaps between the different color patch areas. This overlapping part should be very narrow so as to make it difficult to detect its existence on the printed matter, generally vector software (such as Adobe lllustrator, Freehand et al.) use this method to achieve trapping.
Adobe lllustrator trap method
The last one of the “Mix/Trap†under Adobe lllustrator's Path finder panel is the trap button (Trap).
1. Need to set 3 parameters
(1) Thickness. The thickness refers to the input value of the trap width, which is between 0.01~500 points, and the system default value is 0.25 points. Under normal circumstances, the input value is 0.5~1Points, and the specific use value is determined according to the error measurement value of the printing press.
(2) Height/Width. Refers to the proportion of horizontal and vertical traps.
(3) Tint Reduction. Reduces the value of lighter colors in trapped colors. The darker color value remains at 100%. The default value is 40%. To reduce the apparent dark borders of the trapping area, the percentage of tones can be used to control the amount of trapped ink.
2. Option parameters
(1) Select Traps with process color, then trap in the dark area; select Reverse Traps to fill in the bright area;
(2) Adobe lllustrator trap color selection order from darker to lighter order is M, C, Y;
(3) When making multiple spot color versions, determine whether the trapping is in the dark or bright color areas based on the actual ink color;
The plug-in function \Create\Trap under the Freehand software menu is basically equivalent to the Adobe lllustrator trap dialog.
Adobe Photoshop trap method
The Adobe Photoshop trap is done by interdriving channel colors. There is only one trap width option in Menu\Image\Trap. Its rules of use are: all colors expand toward black; light areas expand toward dark areas; yellow expands toward cyan, magenta, and black; and pure and pure magenta expand mutually.
This trap will inevitably produce a noticeable dark border between the colors. How do you use percentage to control the depth of the trapping tone, like the vector software Adobelllustrator to reduce the tone options, to control the amount of trapping ink? We believe in practice that the following steps can achieve this effect.
(1) Open a file named "TP".
(2) Copy “TP Copy†and “TP Copy 2†under Menu\Image\Copy; first execute “TP Copy 2†file \Image\Trap, the width is identified as 1Points; Select All, Cut, Copy Go to the "TP copy" file.
(3) Get a new layer 1 in the "TP copy" file. Press F7 to activate the layer panel and change the layer 1 mode to Difference mode. Since the difference mode is the absolute value of the luminance difference of the corresponding pixel in each channel, the layer 1 and the background will get a black window after the operation.
(4) After merging layers, Inverse is used to obtain white areas and trap areas. Then select, cut, copy to "TP" file.
(5) Change the mode of the new layer 1 obtained from the "TP" file to Multiply, and changing it without trapping is necessary for prepress processing, but the width of the trap and the percentage of trapping white tone The setting should be determined according to the error measurement value of the actual printing press, and through proper processing, the phenomenon of missing printed matter should be avoided.
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