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After watching the bones of the 1999 World Cup videotape, they will all be surprised. Compared to many world-class super-adults who entered the finals, yuji climbed up to the moment before the fall. All the climbing movements were smooth, elegant, handsome and almost perfect. Although yuji was second only to the runner-up in that game, there was hardly any doubt. If 'style', 'art', and 'creativity' are the reasons, yuji's brilliant performance is definitely worthy of 10 Points out of perfect.
In the end, how did you get it? In addition to the excellent natural breeds of oil chickens and the legacy of the samurai samurai who are tolerant of Japan, is there any other esoteric righteousness?
In the following paragraph (from the positive thinking of acquaintance/francois), perhaps you can see a little bit of it:
[Francois Legrand, his best friend, Japanese rock climber Yuji Hirayama, Yuki Hirayama (oil chicken, black horse, duck horse), is also his number one enemy." Most of the important moments in my life are He shared that together, I lived in the same apartment with him, climbed rocks together, had nothing else to do day and night training, and from the beginning of the game, I was together. If someone now asks me what I think about Yuji, I think I I don't like him, but I'd rather say I love him because he's very good about the game," Legrand said. 】
It turned out to be a style, a style that comes from everyone's inner ideals, and a style that is really trying hard to try and practice. However, it is also one of the factors that the history of painting and aesthetics in France has long developed.
Corresponding to the flow of chickens, scaring the horses from the New World is another style of free and unrestrained. Compared with the previous two, the aesthetic process of the climbing process seems to be less emphasized, (emphasizing the completion of the route? ) It seems that the cultural background of the creation and pursuit of success in the New World is also the style behind it.
I have forgotten the theme, and the theme is that recently I had the good fortune to see a videotape of the 1998 Asian Cup national championship selection at the Pyongyang University (that is, Zhi Hong and Kang Xiaozhe were selected as national players). Zhi Hong was super. The black horse seed killer was a blockbuster, and Kang Xiaozhe's performance of the championship climbed from the preliminary round to the final in the first round of the rematch. The declining and fluent figure also seemed to show a completely different style from the other players. The shadow of yuji was hidden, but unfortunately it was not seen. FRANCOIS video tape, or you can compare it.
When French FRANCOIS's elegant romance combined with Toyo YUJI's fortitude, it was more than half of the world championships in the 1990s and countless trophies.
What I am curious about is what kind of style will be displayed when the two are combined with the free and unrestrained tune of the New World?
Or, the two are completely different products under the logic of thinking, and ultimately different models, the inevitable ends of a line
After watching the bones of the 1999 World Cup videotape, they will all be surprised. Compared to many world-class super-adults who entered the finals, yuji climbed up to the moment before the fall. All the climbing movements were smooth, elegant, handsome and almost perfect. Although yuji was second only to the runner-up in that game, there was hardly any doubt. If 'style', 'art', and 'creativity' are the reasons, yuji's brilliant performance is definitely worthy of 10 Points out of perfect.
In the end, how did you get it? In addition to the excellent natural breeds of oil chickens and the legacy of the samurai samurai who are tolerant of Japan, is there any other esoteric righteousness?
In the following paragraph (from the positive thinking of acquaintance/francois), perhaps you can see a little bit of it:
[Francois Legrand, his best friend, Japanese rock climber Yuji Hirayama, Yuki Hirayama (oil chicken, black horse, duck horse), is also his number one enemy." Most of the important moments in my life are He shared that together, I lived in the same apartment with him, climbed rocks together, had nothing else to do day and night training, and from the beginning of the game, I was together. If someone now asks me what I think about Yuji, I think I I don't like him, but I'd rather say I love him because he's very good about the game," Legrand said. 】
It turned out to be a style, a style that comes from everyone's inner ideals, and a style that is really trying hard to try and practice. However, it is also one of the factors that the history of painting and aesthetics in France has long developed.
Corresponding to the flow of chickens, scaring the horses from the New World is another style of free and unrestrained. Compared with the previous two, the aesthetic process of the climbing process seems to be less emphasized, (emphasizing the completion of the route? ) It seems that the cultural background of the creation and pursuit of success in the New World is also the style behind it.
I have forgotten the theme, and the theme is that recently I had the good fortune to see a videotape of the 1998 Asian Cup national championship selection at the Pyongyang University (that is, Zhi Hong and Kang Xiaozhe were selected as national players). Zhi Hong was super. The black horse seed killer was a blockbuster, and Kang Xiaozhe's performance of the championship climbed from the preliminary round to the final in the first round of the rematch. The declining and fluent figure also seemed to show a completely different style from the other players. The shadow of yuji was hidden, but unfortunately it was not seen. FRANCOIS video tape, or you can compare it.
When French FRANCOIS's elegant romance combined with Toyo YUJI's fortitude, it was more than half of the world championships in the 1990s and countless trophies.
What I am curious about is what kind of style will be displayed when the two are combined with the free and unrestrained tune of the New World?
Or, the two are completely different products under the logic of thinking, and ultimately different models, the inevitable ends of a line
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